Tessa Hadley: the short story
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An RSL/Booker Prize Foundation Masterclass with Tessa Hadley on writing short stories at Cardiff Central Library.
Top Tips
Here are some tips for writing short stories:
- Know – or half know – what you are writing towards before you begin.
- Struggle to find fresh words to do justice to the scene in your imagination. Language is lazy, will try to seduce you into writing a less true, more commonplace, version of your story.
- Find the right door into your story, and the right door out of it.
- Your ending is very important – in a way, because stories are so short in the reading experience, it functions almost as the ‘point’ of what you’ve done. But its turn mustn’t be too obvious or noisy. A sideways step, a quiet move onto something new, a new revelation.
- Find some strong central motif or movement in your story, and don’t overcomplicate.
- Keep everything in the foreground, leave out as much of the back story as you can.
- (But: in writing there are exceptions to every rule – you are always free to break them.)
Reading List
Some favourite stories:
Anton Chekhov | ‘Lady with a Lapdog’, ‘Ward Six’, ‘A Boring Story’, ‘Three Years’ |
Elizabeth Bowen | ‘A Summer Night’, ‘Mysterious Kôr’, ‘A Day in the Dark’, ‘The Jungle’ |
James Joyce | ‘Dubliners’ |
Rudyard Kipling | ‘Plain Tales from the Hills’ |
John McGahern | ‘Lavin’, ‘Gold Watch’, ‘The Love of the World’, ‘The Country Funeral’ |
Jorge Luis Borges | ‘The Immortal’, ‘Funes the Memorious’, ‘The Witness, ‘Borges and I’ |
D.H. Lawrence | The Odour of Chrysanthemums’, ‘The Horse Dealer’s Daughter’ |
Katherine Mansfield | ‘Prelude’, ‘At the Bay’, ‘The Dolls’ House’ |
Ellen Gilchrist | The Age of Miracles |
Nadine Gordimer | A Soldier’s Embrace and other stories |
John Updike | The Afterlife and other stories |
Alice Munro | The Love of a Good Woman |
Colm Tóibín | The Empty Family |
Claire Keegan | Walk the Blue Fields |
Recorded on: November 10, 2012
Sponsored by: Booker Prize Foundation